CPN project
Design, modelling, lighting and rendering: Rina Osipova
Software: 3ds max, Corona Renderer, Photoshop
AI-assisted post-production: ChatGPT, Nano Banana
Project type: CGI interior visualisation study
The CPN is an interior CGI concept built around fabric, shadow and small narrative objects.
The room is designed as a soft shelter: a bed wrapped in heavy embroidered textiles, a low wooden bench, a patterned rug and a quiet composition of details. I wanted the space to feel intimate and slightly surreal — like a room from a childhood memory, but with more mature materials and cinematic lighting.
The Osaka Bench by Studioutte works here almost like a small stage. It holds the tiny objects that bring the scene to life: the White Rabbit by Debra Broz and the Death Book by Evgeny Antufiev & Liubov Nalogina. These pieces add a subtle sense of play, fragility and a little bit of strangeness to the otherwise calm interior.
The main focus of the project was not only the furniture, but the tactile atmosphere: layered fabric, soft folds, wood texture, carpet relief and warm directional light. Every detail was chosen to make the room feel quiet, personal and slightly magical
Objects in focus:
01 White Rabbit by Debra Broz
02 Death Book by Evgeny Antufiev & Liubov Nalogina
03 Osaka Bench by Studioutte
04 Pierre Frey Carpet Jardin Indien
05 Celestia ceiling lamp by Afra & Tobia Scarpa for Flos, 1981
06 Frama Chair 01
07 Audrey Mulligan's Borzoi Blueprints
This part of the room was designed as a quiet wooden corner with a small hidden detail inside the wall.
Behind the warm oak panels, a tiled insert opens like a little secret cabinet. The glossy handmade-looking tiles are decorated with a snake motif, adding a subtle mythical note to the otherwise calm and tactile interior. I wanted this detail to feel unexpected — almost like a small discovery inside the room.
The scene is built around contrast: warm wood, soft textile folds, a simple wooden chair, the sculptural floor lamp and the reflective ceramic surface. When the tiled panel is closed, the composition becomes almost silent; when it is open, the snake drawing turns the wall into a small narrative object.
The focus here was on material transitions: wood grain, ceramic glaze, soft curtain texture, warm light and a hidden graphic element
The bathroom continues the same quiet interior story: darker, more tactile and slightly surreal.
I wanted this space to feel like a private little chamber, built around deep olive plaster, a black sculptural sink, warm low light and layered handmade-looking details.
One of the key elements is the mohair wall artpiece created by Alexandra Yushina, created in 3ds Max with Hair and Fur. I worked with several layers of hair, masks and different lengths to get a soft, uneven, almost animal-like texture. It became a small fuzzy artwork inside the bathroom — somewhere between textile, painting and object.
The sink area is focused on contrast: glossy black surfaces, running water, dark mosaic, tiny highlights and warm shadows. I wanted the materials to feel almost touchable — stone, water, textile, hair, plaster and patterned fabric all working together in one quiet scene.
Custom Mosaic Panel
A decorative mosaic design with snake, sun and star motifs, created as a tactile accent for the bathroom sink area
Mohair Wall Panel Process
A soft textile artwork created in 3ds Max with Hair and Fur, using layered masks to control the shape, pattern and fuzzy surface
All CGI images, custom modeling, post-production, character integration, object additions, and video materials were created as part of my personal visualisation workflow.
Thanks for taking the time to view this project.
Available for selected interior and product CGI commissions.
For collaborations and visualisation inquiries: Instagram @rina.osipov
Behance: https://www.behance.net/gallery/251284075/CPN-project